The title is Italian for them, as in the movers, shakers, petty crooks and parasites who hover around power like moths to a flame. (Place an apostrophe in the right place, and you get l’oro: the gold.) But Loro, director Paolo Sorrentino’s gorgeously gaudy, chalice-runneth-over satire, is really about one …
Read More »'Loro' Review: Political Debauchery, Italian Style
